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Vereinigte Zwietracht, BWV 207: I. Coro - Leonhardt Gustav,
Weltliche Kantaten BWV 173a - Aria Duetto (S B): Unter Seinem Purpursaum - Leonhardt Gustav
Weltliche Kantaten BWV 173a - Recitativo (S): Durchlaucht'ster Leopold, Es Singet Anhalts Welt - Leonhardt Gustav
Weltliche Kantaten BWV 201 - Recitativo (Momus): Du Guter Midas, Geh Nun - Leonhardt Gustav
Weltliche Kantaten BWV 201 – Recitativo: Wie, Midas, Bist Du Toll? - Leonhardt Gustav
Weltliche Kantaten BWV 201 - Aria (Mercurius): Aufgeblasne Hitze, Aber Wenig Grutze - Leonhardt Gustav
Weltliche Kantaten BWV 201 - Aria (Tmolus): Phoebus, Deine Melodei Hat Die Anmut Selbst Geboren - Leonhardt Gustav
Weltliche Kantaten BWV 173a - Chorus Duetto (S B): Nimm Auch, Großer Furst, Uns Auf - Leonhardt Gustav
Weltliche Kantaten BWV 173a - Aria (S): Guldner Sonnen Frohe Stunden - Leonhardt Gustav
Weltliche Kantaten BWV 173a - Aria (B): Leopolds Vortrefflichkeiten - Leonhardt Gustav
Weltliche Kantaten BWV 201 - Chorus: Labt Das Herz - Leonhardt Gustav
Clavierübung II(1735) Partita BWV 831 H - Moll/B Minor -Bourreé I/II - Leonhardt Gustav
Weltliche Kantaten BWV 173a - Aria (S): So Schau Dies Holden Tages Licht - Leonhardt Gustav
Cantata No. 205, BWV 205 (BC G36) - Wie Will Ich Lustig Lachen, Aria For Bass - Leonhardt Gustav
Cantata No. 205, BWV 205 (BC G36) - Ja! Ja! Die Stunden Sind Nummehro Nah', Recitative For Bass - Leonhardt Gustav
Cantata No. 205, BWV 205 (BC G36) - Konnen Nicht Die Roten Wangen, Aria For Alto - Leonhardt Gustav
Cantata No. 205, BWV 205 (BC G36) - Gefurcht'ter Aeolus, Recitative For Tenor - Leonhardt Gustav
Cantata No. 205, BWV 205 (BC G36) - Beinahe Wirst Du Mich Bewegen, Recitative For Bass - Leonhardt Gustav
Clavierübung II(1735) Partita BWV 831 H - Moll/B Minor -Gigue - Leonhardt Gustav
Cantata No. 205, BWV 205 (BC G36) - Zerreisset, Zersprenget, Zertrummert Die Gruft, Chorus - Leonhardt Gustav
Cantata No. 205, BWV 205 (BC G36) - Frische Schatten, Mein Freude, Aria For Tenor - Leonhardt Gustav
Angenehmes Wiederau, BWV 30A: I. Coro - Leonhardt Gustav,
Italienisches Konzert F - Dur BWV 971 - Presto - Leonhardt Gustav
Angenehmes Wiederau, BWV 30a: IX. Aria (Soprano) - Leonhardt Gustav,
Angenehmes Wiederau, BWV 30a: X. Recitativo - Leonhardt Gustav,
Angenehmes Wiederau, BWV 30A: II. Recitativo - Leonhardt Gustav,
Angenehmes Wiederau, BWV 30a: V. Aria (Alto) - Leonhardt Gustav,
Praeludium, Fuge Und Allegro BWV 998 Es - Dur/E Flat Major - Leonhardt Gustav
Italienisches Konzert F - Dur BWV 971 - Allegro - Leonhardt Gustav
Angenehmes Wiederau, BWV 30a: III. Aria (Basse) - Leonhardt Gustav,
Italienisches Konzert F - Dur BWV 971 - Andante - Leonhardt Gustav
Angenehmes Wiederau, BWV 30a: VI. Recitativo - Leonhardt Gustav,
Angenehmes Wiederau, BWV 30a: VII. Aria (Basse) - Leonhardt Gustav,
Clavierübung II(1735) Partita BWV 831 H - Moll/B Minor -Echo - Leonhardt Gustav
Angenehmes Wiederau, BWV 30a: IV. Recitativo - Leonhardt Gustav,
Angenehmes Wiederau, BWV 30a: XI. Aria (Ténor) - Leonhardt Gustav,
Instrumentalstück II - Sequentia
Favus Distillans - Sequentia
Rex Noster Promptus Est - Sequentia
Cum Vox Sanguinis - Sequentia
O Ecclesia - Sequentia
In Matutinis Laudibus - Sequentia
Vos Flores Rosarum - Sequentia
O Cruor Sanguinis - Sequentia
O Aeterne Deus - Sequentia
Laus Trinitati - Sequentia
O Orzchis Ecclesia - Sequentia
Nunc Gaudeant Materna - Sequentia
Instrumental Piece Based On The D - Modes Of Hildegard - Sequentia
O Virgo Ecclesia - Sequentia
O Nobilissima Viriditas - Sequentia
O Choruscans Stellarum - Sequentia
Instrumental Piece - Sequentia
Ecce Quadragesimo Tertio Temporalis Curso Mei Anno - Sequentia
Antiphona. O Splendidissima Gemma - Sequentia
Ego, Humilitas, Regina Virtutum, Dico - Sequentia
Instrumental Piece 1 - Sequentia
Que Es, Aut Unde Venis? - Sequentia
Heu, Heu, Nos Virtutes Plangamus - Sequentia
12. O Quam Magnam Miraculum Est - Sequentia
O Viridissima Virga, Ave - Sequentia
O Virga Mediatrix - Sequentia
Alma Redemptoris Mater - Sequentia
Ave Maria, O Auctrix Vite - Sequentia
Caritas Habundat In Omnia - Sequentia
Instrumentalstück - Sequentia
Nunc Aperuit Nobis - Sequentia
Cum Processit Factura Digiti Dei - Sequentia
Quia Ergo Femina Mortem Instruxit - Sequentia
O Vis Aeternitatis - Sequentia
O Quam Mirabilis Est - Sequentia
Sequence: O Ecclesia (Women) - Sequentia
O Pulchrae Facies - Sequentia
Sequence: O Euchari, In Leta Via Ambulasti (Men, Organistrum) - Sequentia
Sequence: Columba Aspexit (Men) - Sequentia
Responsory: O Viriditas Digiti Dei (Women, Instruments) - Sequentia
O Clarissima Mater - Sequentia
Responsory: O Felix Anima (Men) - Sequentia
O Successores Fortissimi Leonis - Sequentia
O Virtus Sapientiae - Sequentia
O Lucidissima Apostolorum Turba - Sequentia
Instrumentalstück I - Sequentia
O Rubor Sanguinis - Sequentia
O Pastor Animarum - Sequentia
Impromptus, Op. 90, D. 899: Impromptu No. 3 In G - Flat Major - Simone Dinnerstein
Piano Concerto No. 2 In B Flat Major - Rondo Allegro - Melinda Schneider, Frankfurt La Stagione Orchestra
Concert En Re Major No. 82 Per A Flauta, Cordes I Continu: III. Allegro - Claudi Arimany, Hungarian Virtuosi Chamber Orchestra
Mendelssohn - Symphony No.5 In D Major, Op.107 ‘Reformation’ Andante - Madrid Symphony Orchestra, Peter Maag
All'ombra Di Sospetto (Cantata For Soprano Solo), RV678, 2. Aria - Avezzo Non - Nicholas McGegan,
Treat Street - George Winston
De Falla El Amor Brujo - IX. Escena - Fritz Reiner,
Catone In Utica, RV 705, Act III. Scenes IV - IX: Recitativo - Alan Curtis, Il Complesso Barocco
Catone In Utica, RV 705, Act III. Scenes X & XI: Recitativo - Alan Curtis, Il Complesso Barocco
Catone In Utica, RV 705, Act III. Scenes I & II: Recitativo - Alan Curtis, Il Complesso Barocco
Catone In Utica, RV 705, Act II. Scene XI: Aria Dovea Svenarti Allora - Alan Curtis, Il Complesso Barocco
Catone In Utica, RV 705, Act III. Scene XI: Duetto Fuggi Dal Guardo Moi - Alan Curtis, Il Complesso Barocco
Catone In Utica, RV 705, Act III. Scene III: Recitativo - Alan Curtis, Il Complesso Barocco
Catone In Utica, RV 705, Act II. Scene XII: Recitativo - Alan Curtis, Il Complesso Barocco
Catone In Utica, RV 705, Act III. Scene IX: Aria Nella Foresta - Alan Curtis, Il Complesso Barocco
Catone In Utica, RV 705, Act II. Scene XIV: Aria Come Invano Il Mare Irato - Alan Curtis, Il Complesso Barocco
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